The EVF is fantastic, and of course the images are wonderful.” “The size, the menus, the controls it’s super easy to use, especially when you’re working quickly and without a lot of support. “I love the functionality of the Ursa Mini Pro,” continued Acevedo. Act one and act three were shot with no crew, so it was important that we used a camera that was easy to operate. “I use it quite a bit in my feature documentary work. “I love the URSA Mini Pro,” added Acevedo. Solórzano decided to use the same camera as Acevedo. I shot act three and gave it a handheld documentary look to give our ending a very grounded, real and authentic feeling.”Īcevedo chose to shoot with the URSA Mini Pro 4.6K camera for the final act, though he let each cinematographer choose their own kit. “Act two was all Steadicam, shot by Joseph Hernandez. “Andrés Solórzano shot act one mostly on sticks and a slider with very balanced and precise photography to reflect the aspirational element of traditional romantic comedies,” said Acevedo. Acts one and three were shot with the URSA Mini Pro 4.6K camera. Looking to make each chapter feel visually different, Acevedo chose to use three cinematographers each shooting their act in their own way. “Love and Baseball” is told in three acts with each act told two years apart. The film was directed by Steve Acevedo and photographed by Acevedo, Joseph Hernandez and Andrés Solórzano. HBO Max’s "Love and Baseball" Shot and Finished with Blackmagic Designīlackmagic Design today announced that a majority of HBO Max’s “Love and Baseball” was shot with the Blackmagic URSA Mini Pro 4.6K digital film camera, and the overall film was graded in DaVinci Resolve Studio editing, grading, visual effects (VFX) and auīased on the stage play of the same name by Jerry Montoya, “Love and Baseball” follows Will (Max Arciniega) and Michele (Tate Hanyok) who, after a chance meeting sparks love between them, fight poor timing and the realities of life in an effort to find love again.
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